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The pink hue of the Farmhouse’s exterior is known as ‘Suffolk Pink’, a finish common to historical homes in the area

The pink hue of the Farmhouse’s exterior is known as ‘Suffolk Pink’, a finish common to historical homes in the area

#PinkPilgrimage: The Wilderness Reserve's Farmhouse (and its gloriously pink history)

April 7, 2019

One of the oldest buildings on beautifully restored 19th century manor estate The Wilderness Reserve is the Suffolk Farmhouse, designed with pink hues throughout, and home to quite possibly the most beautiful bathroom we’ve ever seen. As part of The Pink House’s ongoing #pinkpilgrimage we caught up with The Farmhouse’s interiors team to find out more…

The pink theme runs throughout, with splashes of yellow in the bedrooms

The pink theme runs throughout, with splashes of yellow in the bedrooms

What inspired the pink theme that runs throughout The Farmhouse?

The inspiration came from a small piece of the original plaster found during the restoration process. During the 20th century, the walls had been encased in a brick skin, giving the building the appearance of a much later structure. As this was removed the old timber frame was exposed, including an area of the original rusty pink plaster. And the rest is history…

Sunshine yellow for all seasons

Sunshine yellow for all seasons

Why was pink such a popular exterior colour in Suffolk at the time, and how was the colour created?

Suffolk historically had a very limited building style, with no stone to speak of, apart from the knapped flint of its beautiful medieval churches. Most of the houses were made out of mud and timber, wattle and daub panels set into oak timber frames, that followed a simple and repeated pattern, similar to the Farmhouse. To compensate for this simple appearance, the houses were often decorated in a riot of colours; ochres and russets, and most famously, the Suffolk Pink was splashed over the lime and earth plaster that protected the timber frame.

At this time Suffolk was also the centre of the weaving industry, and many of the dyes used in the wool and silk trade found their way onto the buildings. The pink hue was thought to be made from oxblood mixed with lime, however it was more commonly formed from an ironstone found on the coast and heathland areas, ground up and mixed with lime wash to give the ruddy pink colour.

Pink, weathered wood and copper pipes combine in the Farmhouse bathroom

Pink, weathered wood and copper pipes combine in the Farmhouse bathroom

What was the thought process behind the marvellous pink bathroom, and how much of it is original/restored?

The pink bathroom is in the oldest part of the building and was originally the entrance to a very simple two-up, two-down home. We’ve tried to keep the character of what would’ve been the working entrance, using the soft Suffolk palette of oak, brick floor, and plaster walls.

Alfresco dining at its best!

Alfresco dining at its best!

And did we mention the pool…?

And did we mention the pool…?

Can you give us a bit more background on the Farmhouse’s history and how it used to be used?

Despite its polite south façade with French doors and sash windows, overlooking the parkland and lake, the Farmhouse is one of the older buildings on the Sibton Estate. The earliest records for the building date back to the late 18th Century, but the building itself is much older.

The core of the farmhouse is a half-timbered, oak framed building, with wattle and daub infill panels. It had a typical Tudor 2 cell design, with a two-up, two-down design planned around a central inglenook fireplace. This still forms the heart of the house today, with the dining room and sitting room downstairs, and the master suite and bathroom above.

To the rear, on the site of the current kitchen, is what would have been the Bake House or Back house – (pronounced Bacchus in the Suffolk dialect). The Back house sat at the centre of farm life, with a small dairy operation, brewery and bread oven. It was also the home of the Back house boy, the first to rise and last to bed, in charge of the fires in the house, churning the butter, feeding the dogs and sleeping in the loft above the kitchen itself.

The original pink colour of the building’s exterior is reflected on the inside

The original pink colour of the building’s exterior is reflected on the inside

What do you consider to be The Farmhouse's most striking feature?

The entrance hall for sure. This is entered from a simple oak door set into the new fireplace in the hall. The Tardis-like moment of walking into this double height space always takes guests by surprise. Although the hall and wing to the right are all new, we’ve used the same range of materials as in the original house, including bringing the pargeting (the decorative and waterproof plastering) details inside - and of course the pink walls!

Inside, the pargeting includes two panels of mad march hares, above the door to the south terrace and the fireplace, linked by bands of entwining foliage. Hidden amongst the foliage are birds and two tiny harvest mice, just waiting to be found…

The Farmhouse’s intricate details and carvings - and more pink!

The Farmhouse’s intricate details and carvings - and more pink!

Book to stay at The Wilderness Reserve by visiting their website: www.wildernessreserve.com - or simply bask in the pink perfection on their Instagram. For more #pinkpilgrimage inspiration, explore our hashtag on Instagram or use the tag to share a perfectly pink travel find of your own with us.

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"Fabulous family living!"

Emily Murray founder of The Pink House Living

"Hello! I’m Emily Murray, founder and editor of The Pink House. I’m a lifestyle journalist who has written and edited for loads of different publications, including Stylist, The Guardian, Grazia, Cosmopolitan, Conde Nast Traveller, Brides, and Mother & Baby. Here I am in the bricks-and-mortar Pink House in South East London, where I live with the Pink House Husband (PHH) and our two small, semi-feral boys. Our fabulous Christopher Farr sofa is covered in marker pen and chocolate, and the Eames rocker has a few suspicious stains. Come in and make yourself at home. No need to take your shoes off." 

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📚6-BOOK GIVEAWAY!📚 This is my bedroom as it appears in my book, Pink House Living ⚡️. If you‘re a lover of a luxurious coffee table book, complete with tactile cover and loads of interior inspo, how do you fancy winning not just my weighty to
My FABULOUS new bespoke trapeze just arrived from @flingo.and.swollop and it’s giving me ALL the Glastonbury Festival feels (plus it would be PERFECT for a Pride parade 🏳️‍🌈). I’ve actually only been to Glastonbury once, in 2000, wh
We sacked off home school and went to Whitstable for the day. It was glorious. I swam in the sea, ate oysters (though not from this #pinkpilgrimage destination sadly as Wheelers isn’t open on Tuesdays), watched my son gleefully throw stones int
🍾I now declare The Pink House Deck officially...OPEN! Swipe for mini tour and see stories/Garden highlight in bio for last night’s deck launch party details, including my attempt at becoming the Athena poster tennis girl 🎾, and what happens w
10 FACTS ABOUT ME My mum called me yesterday from Edinburgh to say her old school friend, who now lives in the US and follows me on Instagram, had contacted her to ask if I was ok, as she “hadn’t seen you on Instagram for about a week!&rd
🥂Sweetie dahling! 🥂I’m proud to be working with @johnlewisandpartners and the @britishfashioncouncil to share my (rather unconventional 🤸🏼) catwalk moment and support the very first digital-only, gender-neutral London Fashion Week! Swipe to
💖PINK DECK DEBUT!💖
Who needs foreign holidays? 😬 If you’re looking for me this summer I’ll be chilling out here with socially distanced friends and a bottle of pink fizz, ignoring small person pleas for ‘just one more ice cream&r
💖PINK LADY💖 I’ve been on many wonderfully colourful Instagram journeys over the last few days, discovering gorgeous accounts belonging to creatives from a diverse range of backgrounds. I found this beautiful artwork by über-talented fell
I hereby pledge to use my white privilege - and any other privileges I enjoy - to stop being part of the diversity problem and start becoming part of the solution. The lack of diversity in the interiors industry is shocking. Things must change, and t
As part of the work I’m doing to be actively anti-racist and diversify my account, I spent time today and yesterday researching non-white interior designers and influencers. Along the way I was reminded of some incredible creatives I already fo

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